Perth Institute of Contemporary Arts
28/10/22 - 8/1/23
Curated by Sarah Wall
This project has been supported by the Western Australian Government through the Department of Local Government, Sport and Cultural Industries; and PICA’s Art Commissioners.
Installation photographed by Jack Ball
Installation view photographed by Jack Ball
2022
Dibond mounted Giclée print on Hahnemühle Fine Art Pearl, Swarovski Elements each named using the antiquated term ‘Siam’, Avery 3002 Blockout Vinyl Matt Laminate
120 x 100cm
Photo by Jack Ball
2022
Dibond mounted Giclée print on Hahnemühle Fine Art Pearl, Swarovski Elements each named using the antiquated term ‘Siam’, Avery 3002 Blockout Vinyl Matt Laminate
120 x 100cm
Photo by Jack Ball
Detail
Photo by Bo Wong
2022
Dibond mounted Giclée print on Hahnemühle Fine Art Pearl, Swarovski Elements each named using the antiquated term ‘Siam’, Avery 3002 Blockout Vinyl Matt Laminate
120 x 100cm
Photo by Jack Ball
Detail
Photo by Bo Wong
Detail
Photo by Bo Wong
2022
Dibond mounted Giclée print on Hahnemühle Fine Art Pearl, Swarovski Elements each named using the antiquated term ‘Siam’
120 x 100cm
Photo by Jack Ball
Detail
Photo by Bo Wong
Installation photographed by Bo Wong
Installation view
Photo by Bo Wong
Installation view
Photo by Bo Wong
Installation view
Photo by Bo Wong
Installation view
Photo by Bo Wong
Installation view
Photo by Bo Wong
2022
3D printed PLA plastic based on commissioned scans of personal objects and Thai artefacts from the British Museum archive, spray paint, steel, custom automotive paint modelled after the now-discontinued 2014 Gucci nail varnish ‘Siam Red’
149 x 242 x 139cm
3D printing by Artcom Fabrications
Steel production by Remington Matters
Photo by Dan McCabe
Photo by Dan McCabe
Photo by Dan McCabe
2022
3D printed PLA plastic based on commissioned scans of personal objects and Thai artefacts from the British Museum archive, spray paint, steel, custom automotive paint modelled after the now-discontinued 2014 Gucci nail varnish ‘Siam Red’
141 x 107 x 224cm
3D printing by Artcom Fabrications
Steel production by Remington Matters
Photo by Dan McCabe
Photo by Dan McCabe
2022
3D printed PLA plastic based on commissioned scans of personal objects and Thai artefacts from the British Museum archive, spray paint, steel, custom automotive paint modelled after the now-discontinued 2014 Gucci nail varnish ‘Siam Red’
175 x 132 x 103cm
3D printing by Artcom Fabrications
Steel production by Remington Matters
Photo by Dan McCabe
Photo by Dan McCabe
Photo by Dan McCabe
2022
3D printed PLA plastic based on commissioned scans of personal objects and Thai artefacts from the British Museum archive, spray paint, steel, custom automotive paint modelled after the now-discontinued 2014 Gucci nail varnish ‘Siam Red’
160 x 155 x 111cm
3D printing by Artcom Fabrications
Steel production by Remington Matters
Photo by Dan McCabe
Photo by Dan McCabe
2022
3D printed PLA plastic based on commissioned scans of personal objects and Thai artefacts from the British Museum archive, spray paint, steel, custom automotive paint modelled after the now-discontinued 2014 Gucci nail varnish ‘Siam Red’
139 x 151 x 102cm
3D printing by Artcom Fabrications
Steel production by Remington Matters
Photo by Dan McCabe
Photo by Dan McCabe
Photo by Dan McCabe
2022
Single-channel video with sound
8:20 minutes
Installation viewed in PICA screen space
Photo by Bo Wong
2022
Single-channel video with sound
8:20 minutes
Score composed by Mei Saraswati
3D animation by Brendan Harwood
4A Centre of Contemporary Asian Art
2/9/23 - 15/10/23
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Perth Institute of Contemporary Arts
28/10/22 - 8/1/23
Curated by Sarah Wall
This project has been supported by the Western Australian Government through the Department of Local Government, Sport and Cultural Industries; and PICA’s Art Commissioners.
Installation photographed by Jack Ball
Installation view photographed by Jack Ball
2022
Dibond mounted Giclée print on Hahnemühle Fine Art Pearl, Swarovski Elements each named using the antiquated term ‘Siam’, Avery 3002 Blockout Vinyl Matt Laminate
120 x 100cm
Photo by Jack Ball
2022
Dibond mounted Giclée print on Hahnemühle Fine Art Pearl, Swarovski Elements each named using the antiquated term ‘Siam’, Avery 3002 Blockout Vinyl Matt Laminate
120 x 100cm
Photo by Jack Ball
Detail
Photo by Bo Wong
2022
Dibond mounted Giclée print on Hahnemühle Fine Art Pearl, Swarovski Elements each named using the antiquated term ‘Siam’, Avery 3002 Blockout Vinyl Matt Laminate
120 x 100cm
Photo by Jack Ball
Detail
Photo by Bo Wong
Detail
Photo by Bo Wong
2022
Dibond mounted Giclée print on Hahnemühle Fine Art Pearl, Swarovski Elements each named using the antiquated term ‘Siam’
120 x 100cm
Photo by Jack Ball
Detail
Photo by Bo Wong
Installation photographed by Bo Wong
Installation view
Photo by Bo Wong
Installation view
Photo by Bo Wong
Installation view
Photo by Bo Wong
Installation view
Photo by Bo Wong
Installation view
Photo by Bo Wong
2022
3D printed PLA plastic based on commissioned scans of personal objects and Thai artefacts from the British Museum archive, spray paint, steel, custom automotive paint modelled after the now-discontinued 2014 Gucci nail varnish ‘Siam Red’
149 x 242 x 139cm
3D printing by Artcom Fabrications
Steel production by Remington Matters
Photo by Dan McCabe
Photo by Dan McCabe
Photo by Dan McCabe
2022
3D printed PLA plastic based on commissioned scans of personal objects and Thai artefacts from the British Museum archive, spray paint, steel, custom automotive paint modelled after the now-discontinued 2014 Gucci nail varnish ‘Siam Red’
141 x 107 x 224cm
3D printing by Artcom Fabrications
Steel production by Remington Matters
Photo by Dan McCabe
Photo by Dan McCabe
2022
3D printed PLA plastic based on commissioned scans of personal objects and Thai artefacts from the British Museum archive, spray paint, steel, custom automotive paint modelled after the now-discontinued 2014 Gucci nail varnish ‘Siam Red’
175 x 132 x 103cm
3D printing by Artcom Fabrications
Steel production by Remington Matters
Photo by Dan McCabe
Photo by Dan McCabe
Photo by Dan McCabe
2022
3D printed PLA plastic based on commissioned scans of personal objects and Thai artefacts from the British Museum archive, spray paint, steel, custom automotive paint modelled after the now-discontinued 2014 Gucci nail varnish ‘Siam Red’
160 x 155 x 111cm
3D printing by Artcom Fabrications
Steel production by Remington Matters
Photo by Dan McCabe
Photo by Dan McCabe
2022
3D printed PLA plastic based on commissioned scans of personal objects and Thai artefacts from the British Museum archive, spray paint, steel, custom automotive paint modelled after the now-discontinued 2014 Gucci nail varnish ‘Siam Red’
139 x 151 x 102cm
3D printing by Artcom Fabrications
Steel production by Remington Matters
Photo by Dan McCabe
Photo by Dan McCabe
Photo by Dan McCabe
2022
Single-channel video with sound
8:20 minutes
Installation viewed in PICA screen space
Photo by Bo Wong
2022
Single-channel video with sound
8:20 minutes
Score composed by Mei Saraswati
3D animation by Brendan Harwood
4A Centre of Contemporary Asian Art
2/9/23 - 15/10/23
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski
Installation photographed by Kai Wasikowski